I have just come out of the most visceral cinema experience I have ever had.
I am a writer of stories. I am meant to know how stories work. I am meant to understand their structure, their rhythm and the mechanics behind them. But the film I have just seen is the original story: the story whose DNA can apparently be found in almost every story that has followed it.
I have just been to see Christopher Nolan’s The Odyssey, and it felt like every story I had ever seen before while somehow feeling completely fresh, completely gripping and completely wonderful. This is a story that is thousands of years old, and yet, in many ways, it contains the mechanics and the science behind how all stories work.
As an author, these are things I am meant to know. But, in some ways, I do not want to know all of it. I do not really want to know precisely what humour is, or to understand scientifically why one joke works and another does not. Equally, I do not want a complete definition or clinical breakdown of what love is. These are things I simply want to experience without fully understanding them. An element of mystery makes them more magical. It makes them more interesting. Less scientific and less artificial. Something that connects with the human spirit, the heart and the soul.
But anyway, back to the film, it is wonderful. It is a little too long and, if I am being completely honest, the use of American accents at the beginning did bother me slightly. After ten or fifteen minutes, however, I was fine with it.
It is a harsh film. Sad, wonderful and surprising, while also being incredibly familiar. It is the kind of film that should appeal to almost everyone. However, as a middle-aged man, I suspect I walked into the cinema with more of myself open and exposed than I realised. That is probably why the film affected me as deeply as it did – probably also a reflection of where I am in my own life.
Matt Damon is fantastic. He plays a grizzled veteran, a man who has suffered greatly through the trials and tribulations of war. Damon is a superb actor, and there is an haggered exhaustion and weight to the character that feels completely real. Samantha Morton almost steals the film, but not quite.
This is a film about guilt, post-traumatic stress and the rights and wrongs of the world. It is also a film that I loved. I have not cried this much during a film in a very, very long time, but I mean that in the best possible way.
I will not spoil anything. I will not provide any details. All I will say is: go and see it. It will not be for everybody, but it struck me at an incredibly deep level because this is the story. The original story. The story from which so many other stories have come.
You will watch it and think, ‘I have seen this before.’ And you have. But you also have not. It is different. It is twisted. It has a magnificent musical score that raises the tempo at precisely the right moment, adding tension, love, confusion, mystery and magic. It is wonderful. Go and see it. It might just be every story you have every heard in one great film.
On another note, I have also recently finished the very short novel “I Who Have Never Known Men” by Jacqueline Harpman. It is only a short book and takes around six hours to get through. It is a strange, scifi dystopian novel that was recommended on a podcast I listen to called “The Binge Reading Bookclub“.
It is weird and wonderful. The book takes certain liberties with the usual rule of ‘show, don’t tell’. At times, it is far more interested in telling than showing, yet somehow it works. It is mysterious, unsettling and very, very sad. A great book, and definitely worth checking out, as is the podcast that recommended it.
For the moment, I will leave you in peace.
Take care of yourselves and each other, and keep writing.










